There's a great article on Gawker about Johnny's outfits while he's been providing commentary for NBC, This is my favorite look so far. I think it's obvious Tara Lipinski has given up on trying to be the sparkly one.
Yesterday there was a flurry of articles about Jennifer Aniston starring in my script Cake -- and now I know what a lottery winner must feel like. I think she'll be an amazing Claire and I can't wait to see who her co-stars will be.
Ms. Aniston has given many great performances, but there's one scene from Friends With Money that sticks in my mind. Her character Olivia is doing an estimate for cleaning the depressed guy's apartment (and how great that he'll turn out to be a millionaire, but I'm jumping ahead). His apartment is a disaster, and you can see Olivia's growing awareness that this mess is really a manifestation of a life on the rocks -- this becomes clear as he reveals bits and pieces of his sad back story. Olivia tells him her usual rate and he negotiates her down to almost nothing. She takes a moment and you see Olivia mulling over this ridiculous offer: and then she agrees to it. What's great is that Olivia shows compassion in a way that allows the guy to retain his dignity. It's such a lovely moment -- the kind of moment Jimmy Stewart excelled in portraying -- and it's played so deftly. Like a throwaway that hits you right in the heart.
August: Osage County
The reviews have been mixed for this movie -- I think the common negative criticism is that it's stagy and over-the-top. For me, though, this was one of my favorite films of last year, and I hope Julia Roberts wins the Oscar for her performance. August is a brilliant look at mental illness and addiction. Addicts ARE stagy and over-the-top -- they use performance to manipulate everyone around them. It ain't subtle, and I think the performers and the filmmakers understood that (as did, obviously, Tracey Letts, who's one of America's best living writers). Unfortunately this quality was misinterpreted by many in the audience.
The scene in the car between Meryl and Julia (Meryl's character says she can't do rehab again and that her daughters are free to leave her alone) is one that I can't stop thinking about. It's astonishing in its authenticity. Is the movie perfect? No. But is it an important work of art? Absolutely.
Thanks For Your TimeI got as sick of Gotye as everyone else on the planet. But I still really like this song from his Like Drawing Blood album and I love the Lucy Dyson video -- I've been playing it over and over tonight.
Fangs Of The Living Dead
Fangs Of The Living Dead. Anita Ekberg, playing a virgin who inherits a castle full of Euro trash, homoerotic vampires. Front seat center, please.
Cake In The NewsThere's a very funny article on Mother Jones about the 2013 Black List scripts. Basically the writers came up with log lines for all of the projects based on the titles.
A man is addicted to cake, dies.
I finally watched the entire first season. I'm always late to the game and usually things never live up to their hype, but this was an amazing show - it was actually better than I thought it would be. Olivia Colman gives one of the best performances ever of a believable middle class working mother - whether it's the scene where she's dispensing vacation gifts to her co-workers or when she finds out the identity of the killer, she always feels true to her character. And like all the best TV right now, this felt like a novel I couldn't put down.
Black List 20132013 is ending on a high note: my script CAKE made the Black List this year, which is a huge and unexpected honor. The list compiles the votes of entertainment executives on their favorite unproduced scripts from the previous year.
More songs I never need to hear againAnything by the group Toto
Wide open spaces are scary, n'est ce pas?
Lysley TenorioOne of my favorite modern writers.
We Will Never DieOne of my favorite groups is the Swedish jazz band Bo Kaspers Orkester. They have a song called Vi Kommer Aldrig Att Dö, which translates into We Will Never Die. It's a beautiful song, made more beautiful for me because it reminds me of the year and a half I lived in Stockholm and all the wonderful friends I made. This one is for you Margaret Steiner.
The ReturnedI'm addicted to the French TV series The Returned. It reminds me of the first season of Twin Peaks (the first season -- season two was a mess). One of the things I admire about it is that a lot of the visuals are presented in wide shots, where characters are small elements against the expanse of beautiful backgrounds: the lake and dam, the mountains, the shining night lights of the village. The result is a kind of crippling dread that is surprising.
Songs I Never Need To Hear AgainSuper Freak
Edge of 17
Boys of Summer
Anything by the band Journey
Austin Film FestivalCake is a semi-finalist for the AFF Screenplay Competition (under the title Jump - I've tried both titles and I prefer Cake I think). It also received an Honorable Mention in the Williamsburg Film Festival screenwriting competition.
When I first started writing seriously a friend said my stories seemed awfully similar to (i.e. a rip off of) Mary Robison. I was embarrassed to tell this friend that I had never read any of her writings. "You should read Why Did I Ever," my friend said. "That would be a good place to start."
I adore Mary Robison. I want David Markson and her to have a child who will write novels that consist of 500 words or less.
It has been a good summer for my feature script Cake, which I based on my short story. Cake won the Nantucket Film Festival Showtime Tony Cox Screenwriting Award.Here is a nice interview by Susan Sandler, she wrote Crossing Delancey (one of my favorite films).
Cake also won the CineStory competition, here's a press release that came out on July 10, 2013.
Welcome, ye visitors from the internetsThings have certainly changed around here, the old website is looking spiffy thanks to Anthony Wallace.